Mothlight Microcinema

About
 —
  1. an artist-run, nomadic film series screening experimental and avant-garde, fiction, documentary, and animated film + video in Detroit, Michigan since 2012.
  2. screening schedules and program line-ups can be found here and on our Facebook page
  3. Stay connected by subscribing to our newsletter!


Upcoming Events
MMC 2024 ++
  • Short Films by Lisa Truttmann

  • Past Programs
    MMC 2024 ++
    1. 16mm filmmaking workshop (in partnership with Detroit Narrative Agency)
    2. 16mm filmmaking workshop with Shanna Maurizi (in partnership with Carpenter Creative Cooridor)
    3. Gaza Ghetto (1984), Speakers: Umayyah Cable and Hannah Fahoome

    MMC 2023 ++
    1. 16mm filmmaking workshop with the Detroit Narrative Agency
    2. 60th Ann Arbor Touring Program, Q&A with Jerrod Willis

    MMC 2022 ++
    1. 59th Ann Arbor Touring Program, Q&A with Ahya Simone 

    MMC 2021 ++
    1. Malni: towards the ocean towards the shore, Q&A with Sky Hopinka
    2. Film About a Father Who, Q&A with Lynne Sachs

    MMC 2020 ++
    1. The Wolf House (virtual, co-presented with The Film Lab and Cinema Lamont)
    2. Vitalina Varela (virtual, co-presented with The Film Lab)

    MMC 2019 ++
    1. Films in Space (Cosmos + shorts on 16mm)
      Curated by Raul Benitez

    2. Remember to Remember: New and Old Films from Niagara Custom Lab
      Curated by Derek Jenkins

    MMC 2018 ++
    1. Chicagoland Shorts, Vol 4 
      Curated by Full Spectrum Features
    2. Based in Havana: Documentary Shorts
      Curated by Mary Pena
    3. Clicks Inside My Dreams: Short Films by Margaret Rorison, Q&A with Rorison
    4. Image Bearings: New Video Work by Women in the Midwest
      Curated by Sally Lawton, Q&A with Bree Gant

    MMC 2017 ++
    1. The Maribor Uprisings, Q&A with Maple Raza
    2. Kairos Dirt and the Errant Vacuum, Q&A with Madsen Minax
    3. INAATE/SE/, Q&A with Adam Khalil
    4. ANTI-ETHNOGRAPHY, Q&A with Adam Khalil
    5. Untitled (Just Kidding), Q&A with Jesse Malmed

    MMC 2016 ++
    1. Chicagoland Shorts
      Curated by Full Spectrum Features

    2. Films by Mothlight Filmmaker-in-Residence Jayne Amara Ross, Q&A with Ross
    3. Films by Ephraim Asili, Q&A with Asili
    4. SÖFNUN: Mothlight Microcinema in Iceland
    5. Seeking: Missed Connections & Loose Associations, Q&A with Chris Collins & LJ Freeza
    6. Films for One to Eight Projectors: Multiple Projector Experiments by Roger Beebe, Q&A with Beebe

    MMC 2015 ++
    1. Itinerant Spaces: Films by Stephen Connolly, Q&A with Connolly
    2. Minority Report
      Curated by Nazli Dincel, Q&A with Sky Hopinka

    3. Frenkel Defects III
      Curated by Kevin Rice
    4. Handmade Emulsion workshop with Process Reversal (led by Kevin Rice)
    5. Cellular Cinema VI: Mothlight in Minneapolis
    6. Films by Filmmaker-in-Residence Dan Smeby, Q&A with Smeby
    7. Tale of Two Syrias: Films by Filmmaker-in-Residence Yasmin Fedda, Q&A with Fedda
    8. Paradise: Films by Filmmaker-in-Residence Lydia Moyer, Q&A with Moyer
    9. Failure: Experimental Animation by Kelly Sears, Q&A with Sears
    10. Projection Instructions: Selections from Filmmakers Coop Curated by Josh Guilford, performed by Mothlight

    MMC 2014 ++
    1. Synchronicity, Q&A with Jason Sudak
    2. Films by Julie Murray, Q&A with Murray
    3. Films by Fern Silva, Q&A with Silva
    4. Form/Fragment, Q&A with Jen Proctor
    5. 51st Ann Arbor Film Festival Touring Program

    MMC 2013 ++
    1. Moving: 16mm shorts
    2. On Holiday
      Curated by Brandon Walley
    3. Peninsulam, Q&A with Jack Cronin
    4. Handmade (Animation)
      Curated by Gary Schwartz, Q&A with Dustin Grella
    5. Portraits of America, Part II, Q&A with Katie Barkel & Oren Goldenberg
    6. Portraits of America, Part I, Q&A with Brandon Walley

    MMC 2012 ++
    1. Maximal Minimal (16mm)


    Mark
     




    MMC32 08102018 / Image Bearings
    Curated by Sally Lawton


    Image Bearings is an experimental shorts program of new work by women who call the Midwest home. The weight of performance and the comfort of the familiar often encountered by women in this region is a running theme in each work. Each artist interacts with the large flat spaces of the geography by questioning its normalcy and their actions that fall outside that realm. Where each artist feels enamored and repelled is revealed by placing the lens on the water, people, postcards, and stillness of the region. The movement of images addresses the certainty that in pausing there is rust and only in the self-reflective can the idea of the midwestern woman be expanded. The movements are documented in woods, houses, hands, and passion plays, all changing as the Midwest always has: so slow it’s fast.
    Guest Programmer: Sally Lawton
    Suggested Donation: $7-$10 at door.

    Program

    Dani Leventhal Restack & Sheilah Wilson Restack, Strangely Ordinary This Devotion, 26min, 2018
    Bree Gant, Riding with Aunt D. Dot, 7min, 2018
    Jesse McLean, Wherever You Go, There We Are, 12min, 2017
    Nellie Kluz, Serpents and Doves 26min, 2018
    Katie Barkel, Putting Your Brain in the Corner, 2min, 2016

    About the Artists:

    JESSE MCLEAN:  A primary focus of all my work is the power-and the failure-of the mediated experience to bring people together. I am motivated by a deep curiosity regarding human behavior and the ways intimacies and connections are formed in an age of mediated experience. Recent projects explore the immersion into digital
    culture and the fraught relationships people have with technology we both rely on and resent, and in contrasting the finite capacities of the nonhuman with infinite human desires.

    BREE GANT is an artist and documentarian from Detroit exploring Black aesthetics, ritual, and emergence. Since graduating from Howard University in 2011 with a BA in Film, Gant has traveled as a fashion and portrait photographer, worked as a Teaching Artist, and exhibited around the country. She is currently directing an experimental docufiction short film about dance and care for Black femmes.

    DANI and SHEILAH RESTACK have embarked on an artistic relationship that is formally and emotionally adjacent to their domestic lives, a quotidian zone they share with their young daughter Rose. Both artists have established careers on their own. Neither Dani’ video work or Wilson’s multimedia performance and installation work could
    exactly prepare us for the force of the women’s collaborative efforts.
    – Michael Sicinski, Cinema Scope, 2017

    Dani’s work is made with an emotional logic, questioning cultural, personal and animal realities. She got her MFA in Film/Video at Bard College in 2010. She has screened at the Union Docs, Oberhausen, Rotterdam, MoMA PS1, Anthology Film Archives, Views from the Avant-Garde, and Projections.Sheilah uses photography, video, and text as performative and documentary tools to analyze the traces between history, story and the land. Sheilah got her MFA from Goldsmith College in London 2005. She has had exhibitions at Ortega y Gasset Projects, The Knockdown Center, Queen Elizabeth Park, New Zealand and the Albuquerque Museum.Their recent collaborations have shown at the 2017 Whitney Biennial, Iceberg Projects Chicago, Toronto International Film Festival, Images Film Festival, Toronto, Lyric Theater, Carrizozo, NM, Leslie Lohman Project Space, NYC and The Columbus Museum of Art, Ohio.

    NELLIE KLUZ is a filmmaker and artist based in Chicago. Usingcuriosity, observation and analysis, she records and interpretsvarious locations and communities – focusing on social interactions,belief systems and material realities.Her films have screened at venues like the Full Frame Film Festival,Festival de Popoli, the Chicago Underground Film Festival, Camden International Film Festival, the Independent Film Festival Boston, the Maryland Film Festival, The DocYard, the Sidewalk Film Festival, Rooftop Films and others. She was named one of Filmmaker Magazine's "25 Faces of Independent Film" for 2017.

    KATIE BARKEL is a Detroit-based filmmaker and educator. She has a B.A. in Film & Video Studies from University of Michigan. Her works have screened at Ann Arbor Film Festival, Museum of Contemporary Art Detroit, Media City Film Festival, MoMA’s PopRally, and in other spaces across North America. In 2015, she completed her first feature length documentary, Writer’s Block in the Rivera Court, which premiered at the Detroit Film Theater. Katie is a part of Hamtramck Free School, a founding member of Film Fatales Detroit, and a teacher of video art and production at College for Creative Studies.
     





    Mark